2.2 Negation of Self
After internalization of the gaze, the protagonist’s identification with the power and blindly pursing a false social identity led to the negation of the self, triggering alienation of racial identity and personal identity. He became someone else rather than himself, a party hack with an assumed name, someone arbitrarily forced to deny his past. (Callahan, 2004)
2.2.1 Negation of His Own Race
At the beginning of the novel, when asked to fight a battle royal with his schoolmates, the protagonist did not find anything wrong with this arrangement, except that fighting with those tough boys might “detract from the dignity of [his] speech.” (Ellison, 1995: 18) He resents participating in the Battle Royal, not because the competition itself is degrading, but because he is disgusted by the notion of mixing with other black boys. (Callahan, 2004) After all, he saw himself as “a potential Booker T. Washington.” (18)
The black student’s mind and eye were still “glued to the white line” (38–39) at college. He felt ashamed of Trueblood, a black sharecropper impregnating his teenage daughter, which “brought disgrace upon the black community” (46). He felt embarrassed by his primitive animal harmonies singing for the white visitors in the chapel, and felt resentful of the black community being pulled down by those like Trueblood. To stop Norton from asking for more details about the incest scandal, he said the two pregnant women in log cabin were not bright enough to understand what they were talking about.
Chapter Three The Protagonist’s Transcendence of Gaze: Identity Construction ..... 33
3.1 Resisting Gaze................................…33
3.1.1 Awakening of Rebellious Consciousness ........................ 33
3.1.2 Practice of Oppositional Gaze ......................... 36
Conclusion .......................... 42
Chapter Three The Protagonist’s Transcendence of Gaze: Identity Construction
3.1 Resisting Gaze
The protagonist undergoes a process of guidance by wise gazes which provide inspiration and strength, and it is the urging and reminding of these gazes from his black kith and kin that the protagonist’s inner sense of rebellion can gradually awaken. After the protagonist’s consciousness slowly awakened, he felt the presence of the racial gaze and fought against it.
3.1.1 Awakening of Rebellious Consciousness
Many characters in Invisible Man play an important role in the protagonist’s seeking of his own identity, and act as catalysts for the protagonist’s oppositional gaze. Perhaps these guides are also the objects of the power gaze and this is what touches the protagonist’s heart more. They have rich social experience after various trials and tribulations which bui