Wang keju is an influential contemporary Chinese painter. His early paintings mainly show the mother and son. In recent years, his painting style has changed gradually. His landscape paintings have strong northern color and strong qilu cultural characteristics. His works mainly focus on farmland, trees and rural scenery, and pursue simplicity and nature. His paintings are strongly calligraphic, drawing nourishment from Chinese calligraphy and emphasizing brushwork, artistic conception and breath. His colors are very exaggerated. He finds inspiration from traditional farmer paintings, and his bold and exaggerated expression techniques are expressed freely in his works.
The forming factors of the painter's style are various, such as environment, hobby, cultivation, etc. Wang keju's direct expression form is inseparable from traditional folk art. With bright colors and almost crazy brush strokes, we can feel the passion of the painter and the impulsion of the painter in the face of nature. Pictures and paper-cutting in folk art is an important part of the north, are woodcut New Year pictures, high-density ash pictures, high-density paper-cut is representative folk art form of qilu culture, New Year paintings works form rich in content, main performance in the New Year, marriage customs, such as subject matter, also including the legend of classical allusions, festive and auspicious and landscape flowers, these works represent the farmers look forward to the good wishes of happiness. Folk New Year pictures have formed their own artistic characteristics in the long-term development. Their techniques are summarized and concise. They embody the theme with symbolic and implied expression. Paper-cut art is a form of folk art in the north of China, its long-term existence of folk, and with the development of The Times there have been some new form of performance, the performance of the paper-cut art more than content with animals and plants is given priority to, paper-cut appeared in the Chinese lunar festival customs, more people use paper-cut to express the heart of joy and desire, symbolization technique of expression, with a strong symbolic significance.
MAO daizong is a representative figure of image painting. His paintings often show the effects of flat landscapes and combine the composition and expression techniques of Chinese landscape painting skillfully. His paintings do not have the
