米歇尔图像理论视域下威斯坦·休·奥登诗歌的艺格敷词探讨

nd laments that Achilles is a killer rather than a hero. He gazes at the film images with power, manipulates words and sounds, disguising his cross-dressing and homosexual desire in the images of coal miners. Auden turns the postal train from an industrial machine into an alive creature, blending industry with nature. 

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