本文主要从对Dress in Renaissance Florence分析，由帮写留学生论文中心策划组提供。是英文语种、历史研究方向、不需要数据处理的本科考试题目，不需要盲审（博士或硕士生有这个需要），如有需求请联系本站论文购买中心或者提交相关文章的帮写需求。
The book of Frick was organized mainly in three parts, which are respectively tailors and workers for clothing. The tailors were going through hard times for the emergent demand for elegant clothes. While cutting and sewing is not a main fraction of the cost of a garment, the fittings required a lot from the tailors, who were prestige later on. And families of Florence are described to be the elite behind the growth of the industry, who purchased lots of clothing in order to maintain the social status and family honours. Because of Florence's elite, appearance and display were closely combined up with self-identity. Dressing Renaissance Florence enables us to better understand the social and cultural milieu of Renaissance Italy. http://www.51lunwen.org/finearts/2012/0214/lw201202141513101623.html (Carole Collier Frick, 2005)
Between 14th century and 16th century, Renaissance broke out in the west of Europe. During which period, feudalism was beginning to decline while the capitalism is beginning to sprout. Under the influence of Renaissance, people bean to focus the attention on themselves, and the ideological emancipation is also realized among the artists. (Jackson Spielvogel, 2011) They were audacious to paint the human body’s beauty and emphasize the voluptuousness. They make human beings the center of their attention, and confirm the value of human, and propose the research into humans’ life. Literature, astronomy and music have all achieved great results in the period; of course the clothing is also going through a revolution. In the special period of Renaissance, the Italian clothing is just like the art and sports, expressing the sense of survival of human beings. Since countries and cities began to strive for autonomy, Palace Social disappeared, and there were various styles for clothing. Men imitated the French leggings; elastic woven material was applied to make up pants-hoses. Shirts also became fashionable on the collar and sleeves. Besides the simple sleeves, they love luxurious sleeves of various colors or single color. They had puff sleeves, foresleeves, and cut open sleeves. In terms http://www.51lunwen.org/arts/ of the coat-style outerwear, they were of uneven length, with true sleeves and fake sleeves, or no sleeves. The clothing for women, transformed from Gothic stretched and natural appearance to thick and solid luxurious velvet frillies.
References
Ann Rosalind Jones and Peter Stallybrass, (2000), Renaissance clothing and the Materials of Memory, University Press, Cambridge.
Carole Collier Frick, (2002) Dressing Renaissance Florence: Families, Fortunes, & Fine Clothing, JHU Press.
Carole Collier Frick, (2005) Dressing Renaissance Florence: Families, Fortunes, and Fine Clothing Johns Hopkins University Press.
Dror Wahrman, (1987) The Making of the Modern Self, Yale University Press.
Jackson Spielvogel, (2011) Western Civilization. Wadsworth. 8th Edition.
Steven Runciman, (2004) The First Crusade Cambridge University Press.
Tom Tierney, (2000) Italian Renaissance Costumes, Dover Publication, Inc.
您可能对帮写英语论文感兴趣，请登录http://www.51lunwen.org/englishpaper/
