According to the tap tap dance with Ireland Tibetan differences[abstract] China Tibetan and Ireland between tap tap dance there is a tremendous difference, mainly displays in of different cultural background, dress is different, with the power of the different ways of dress and different.
Keywords: Tibetan Irish tap dance
Dance, as all the origin of language and art, which is the most essential, the most immediate means of (SMS). Ancient and modern, Chinese and foreign, the dance to it the unique functions and attractive charm, on the history of the beat, waving the desire of the soul of human being, showing the peoples of the world history, aesthetic pursuit and forge ahead in a pioneering spirit of the spirit.
Throughout east and west, tap dance of its unique charm and dance wind affects of different ethnic groups all over the world people aesthetic appeal and aesthetic pursuit. In China, the Tibetan ethnic group in the skills, have a kind of with Tibetan pile of harmonic dance as main creation element of the tap dance, with its exquisite exquisite, free and easy and bold and unrestrained characteristics and widely popular. Located in north-west Europe of Irish island nation, there is also a tap dance, become the essence of Ireland, has swept the world, reputation with the world. Different people, different culture background but gives birth to the same kinds of dancing, tap dance, this kind of from the soles of the feet and floor http://www.51lunwen.org/wudao/2012/0210/lw201202101702371171.html friction sound dance, have to let us again confirm the simple truth-art without borders.
Although the surface looks, both belongs to tap dance, but investigate its dance style, performance forms, and many other aspects is not hard to find reasons, the two tap dance exists between the great difference. Below will tap tap dance with Ireland Tibetan China as an example, specific analysis in many aspects of the existence of two different.
A and cultural backgrounds are different
Tibetan tap dance called pile of harmonic, "pile" in Tibetan middle finger "up" or "highland" means. So "pile of harmonic" is HouCang "refers to the yarlung zangbo river upstream of the kernel, the drawee, kirgiz, issachar, county and ali area called" pile "countryside circle dance. The earliest of harmonic spread in the yarlung zangbo river basin, the terrain is towering xigaze to the whole region west of ali, later becoming popular in Lhasa. Pile of harmonic in Tibet has a long history, research shows that the 10 th century had been pile of harmonic dance exists, but at the time of the social production is not developed, its dance moves, the rhythm changes is relatively single, nomadic civilization and the primitive agriculture in the early, people to express their thoughts and feelings after the labor and entertainment demand, but also not exclude cold heating of Italy, at that time each village of old and young, men and women gathered together, some imitation of labor process all kinds of action, some imitation of various animals posture, collective dance, people in uniform rhythm, unified dance dance in the, in the primitive entertainment activities expressed's emotions, as time passes is formed of primitive, primary collective circle dance. 17 centuries middle period, the fifth dalai for strengthening "theocracy" rule, regulation at the end of June each year in early July held in Lhasa annual sholton and later developed into the Tibetan opera festival, let CangJuTuan gathered around Lhasa approach. In the lively performance in the approach of enthusiasm tap dance. Because of the spread of the folk artists and interact with each other, this dance into Lhasa immediately after all ranks for love. The basic steps are: back footfall, carry footfall, tick step, leisurely footfall, leisurely slide, etc. Dance to drive the knee flexion and rhythm of foot with music rhythm on the ground do regular step. The pace of the biggest characteristic is to take up the sole of the
