景观设计论文:道教建筑随道教的形成而出现,并随宗教礼仪的制度化和规范化而逐步完备。中国的道教建筑在其漫长发展过程中,既吸收世俗建筑的形式,亦为世俗建筑提供和积累不少新颖设计、布局、工艺以及巧妙独特之处理方法。
楼观台作为道教的祖庭圣地,其基址选择、总体布局、空间构成、建筑形式、装饰特点等等,受中国传统文化以及道教哲学理论的影响极大。楼设计中观位于陕西省关中平原与秦岭北麓山地结合处,最早的历史可以追溯到二千五百年前的周代,各朝均有增建修葺,流传至今,现存砖木结构建筑十余座。观内建筑保存完好,从建筑技术与艺术的角度有较高的研究价值。
本文是通过对楼观台道教文化研究展示中心规划及建筑设计分析道教文化在建筑中的应用,本文共分为四个部分:
一、研究目的及意义、研究现状和研究方法;
二、分析道教的产生和思想渊源;
三、分析楼观台道教建筑的形成和发展以及楼观台道教建筑中的美学思想;
四、分析在设计中道教文化的体现
关键词:道教;楼观台;文化;展示;建筑;设计
Abstract
The occurrence of Chinese Taoist temple is the result of religion of Taoism's formation, and improved step by step with the systemizing and normalization of religious ceremony, gradually complete. After several thousand years of development, The Chinese Taoist temple adoption folk buildings' form, while, it support for the latter fresh method of design, site planning, technique, and so on.
Lou-guar Taoist Temple is the Ancestor courtyard and the Holy land of Taoism. Its site choosing, total layout, space and its composing, construction's form, decorate characteristics etc, have importance connection with Taoist thought. Lou-guar Taoist Temple locates at southeast of Zhouzhi County, Shannxi Province, built in Chou dynasty. From then on, and each Dynasty all have to set up or repair the buildings of Lou-guar Taoist Temple, now, there are about twenty buildings with brick and wood. They are all conservation well, and have higher technique and artistic value.
This is through the Studies of Daoist Culture Exhibition Center Louguantai planning and architectural design of Taoist culture in the construction of this paper is divided into four parts:
First, the research purpose and significance, research status and research methods;
Second, the analysis of the generation and Ideological Origins of Taoism;
Third, the analysis Louguantai formation and development of Taoism as well as building construction in Louguantai Taoist aesthetics;
Fourth, analysis in the design of the embodiment of Taoist Culture.
Key Words: Taoist; Lou-guar; Culture; Exhibition; Architect; Design
目录
1 导论 4
1.1研究目的及意义 4
1.2研究现状 4
1.3研究方法 4
2道教的概述 5
2.1道教的产生 5
2.2道教的思想渊源 5
3楼观台道教建筑的概述 6
3.1楼观台道教建筑的形成及发展.....................................................................6
3.2 楼观台道教建筑的美学思想 7
4分析设计中道教文化的体现 9
4.1设计概况.................................................................................................9
4.2设计中道教博物馆的分析....................................................................9
4.3设计中老子学院的分析...................................................................10
4.4设计中游客中心的分析......................................................................11
4.5设计中的空间分析 11
4.6设计中的景观分析 13
结论 15
参考文献 17
致谢 18
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