The expansion of vocalization is focused on breathing and articulation. From the perspective of breath, the artistic creation of traditional sound language emphasizes chest and abdomen combined breathing. However, in the artistic creation of movie and TV dubbing, the depth and strength of breath should be changed according to different images and the emotional state of characters. Enunciation Angle, pay attention to the head of the word in its mouth pop up, the word belly pull back sharp implement, the word end put in place weak close, and the change of enunciation ability namely master different degree of bite and enunciation strength, different methods, in order to achieve the change of sound elasticity. Under the premise and foundation of diversified sound expression, it is more important that film and television dubbing should be able to cooperate with the picture and fit the characters in film and television works. Regardless of external image, age, occupation, or even personality, it should be considered, and the sound should be used for the fitting and proper presentation. Therefore, how to use sound to shape an appropriate image is the key in the creation of film and television dubbing.
The professional title of dubbing performer is "dubbing actor". In other words, it is not only the provider of sound, but also the creator who creates each image with sound and plays the role. It is not only a mechanical worker who can perform the rigid and vocal expression according to the lines and rhythms of the characters in the text and the play, but more importantly, a "process-reproducer" who can make a second creation and image creation by using his own original voice and cooperating with the pictures in the film and television works.
Therefore, this process requires the dubbing actors to have a good professional quality and to be able to use the internal skills of language. In dubbing, through the mobilization of their own emotions, they can convey emotions by voice, guide emotions by voice, and support emotions by air. That is, the perfect unity of "emotion, sound and gas", and the natural combination.
The characters are different, and the images, backgrounds and characters shown in the works will be different. The dubbing actors must distinguish different roles in different situations through their own timbre and the change of voice, and at the same time, make the timbre fit the different roles in the film and television works.
In many Chinese film and television works, the characteristics of film and television characters and the characters of dubbing actors are consistent in the use of sound performance, which can be regarded as the best match between tone and character. As the picture information of the film and television works can give people a relatively solidified visual stimulation, so it is necessary to limit the role setting of dubbing actors' timbre in accordance with the character image. Dubbing actors use the appropriate state and tone to greatly enrich the characters in the film, making them three-dimensional, vivid and real.
In addition to the technical requirements of the external performance form of
