导读: 这是一篇英国essay范文，讨论了萨姆·门德斯的电影。萨姆·门德斯是著名的英国导演和制作人，其作品大多改编自文学作品，在表现方式上经常借鉴舞台戏剧里的叙事手法和癫狂形象，让整部作品或多或少地融入现代戏剧的理念，形成独立的风格。门德斯的定位与传统好莱坞导演显著不同。门德斯要将好莱坞商业大电影的国际化运作模式和舞台剧式的英伦文化特色完美地融合在一起，并在此基础上形成特色鲜明的导演个人风格。
Mendes' rich experience as a stage director has directly influenced the unique style of his films. Mendes mostly adapted from the works of literature, on the way of expression often in the drama stage of narrative and the madness image, let the whole works more or less into the concept of modern drama, form independent style. Mendes' works often focus on the social problems existing in the United States and the ordinary life of Americans, showing strong humanistic care and cultural concerns. Mendes' cross-cultural identity and cross-genre directorial experience make his several representative films have obvious cross-genre/supergenre characteristics.
As a film director from the British theatrical circle, mendes's positioning is significantly different from that of traditional Hollywood directors. Mendes will Hollywood commercial movies internationalization operation mode and stage of British culture perfectly fuses in together, and on the basis of director form a distinctive personal style. Mendes' works mainly focus on the reflection of reality and use images to convey the criticism of the real social problems. Mendes' films start from either a macroscopic view of the big society, or a microscopic view of everyday life, but ultimately come down to an analysis and irony of the real social or political situation. Mendes is like a wise man who wanders through the world of movies, writing his social responsibilities through panels.
Mendes' classic American beauty, which won multiple awards at the oscars, reflects three serious problems in American society at the time. One is the rootless American dream. The second is the moribund life of America's middle class. The third is the midlife crisis for American men. In the process of rapid modernization, many social problems stand out, with super cities, behind the modern city flashy, but hidden bitterness, hard in the city's slums and seemingly well-being and live in the suburbs of the middle class, actually facing multiple pressure from career, family and psychological. In the film "American beauty", Lester was a middle-aged man trapped in the crisis, movie titles out of resentment against leicester was expressed his daughter Jenny and exclusion, then laith put words summed up his life, he has heart like dying embers. Lester is a typical been beset by a mid-life crisis of man, his life is going through the worst and most dark phase, nowhere on the career, family relationships are deadlocked, long revered outlook for the center with material to Lester had lost any belief, his spiritual emptiness.
Lester was devastated by his wife's growing contempt for him, his daughter's growing rebellious streak, and his lover, Angela,'s constant sexual allure. He began to try to change this hopeless and lifeless life, ready to regain his dignity and manhood. Finally, when Lester came across his wife, Caroline, having an affair with someone, his masculinity was awakened. And Jenny's friend raj also faces a disorderly failure home, raj's father like Lester, is also a loser in midlife crisis, he was a commander of the navy, due to the nature of militant thought many arms possession of him. He has always been ashamed of his homosexual orientation and has been trying to hide it, leading to more and more mental deformities and even disciplining raj in a violent way. There was an insurmountable gap between the two generations, and the two families were teetering. Eventually, Jenny and raj chose to travel far away from their shameful father. The end of the film, Lester knew the raj father is gay, raj father killed Lester, to cover up the fact that a bullet put an end to the failure of leicester's life and his desire for material and fantasy. The symbol of white plasti
